I'm long overdue on giving DEAD HARVEST some much-deserved love. Author Chris F. Holm has taken death out of the hands of zombies and put it back where it belongs: with angels and demons. This highly original tale of a Charonesque character, Sam Thornton, who collects the souls of the newly dead-and-damned is spun inside out when one of the "damned" turns out to have the purest soul Sam has ever encountered. Convinced that his bosses have erred (they don't -- not ever), Sam determines to keep the girl alive whatever the cost. And with both angels and demons on Sam's trail, the cost will be, uh, sky high. (Sorry, couldn't resist.) For more eloquent takes on this terrific debut novel, check out the reviews at LightSaber Rattling, The Debut Review, and Dark Central Station. Or if you think I named only the good reviews, you can Google the book yourself and see a whole host of reviewers who liked the book as much as I did. Book two, THE WRONG GOODBYE (and I love the word play of the titles giving homage to Dash Hammett and Raymond Chandler) will be released in October, 2012.
Dave Zeltserman's talent is not only prodigious, it's prolific. THE HUNTED and THE DAME are a pair of novellas (Kindle format only) in what may well turn out to be a longer series of such. The protagonist is a hit man who attempts to part ways with his employer: the Federal government. Like the mob, the Feds don't really just let you walk away when you know too much. And from there springs the action, and if you're at all familiar with Zeltserman's work, you're familiar with how he can spin that action in unpredictable ways. The main character, Dan Willis, is a nod to Donald E.Westlake's amoral Parker, and the novellas themselves read like the men's action series of the 1970s (think THE DESTROYER and THE EXECUTIONER series). The novellas may not be classic lit in the sense of Zeltserman's riveting novel, THE CARETAKER OF LORNE FIELD, or noir like his superb man-out-of-prison trilogy (SMALL CRIMES, PARIAH, KILLER), but they are a lot of fun. Hey, not only do I love Westlake's Parker but I'm a fan of Remo Williams, too. Count me in.
Earl Emerson recently released the first of his Mac Fontana series, BLACK HEARTS AND SLOW DANCING, in ebook form. Seemed as good an excuse as any to re-read a book I remember enjoying immensely, but read so long ago that the details had vanished from the ether of my memory. Now I'm kicking myself for not having re-read the series before now, because these books are flat-out terrific. After renewing my acquaintance with Mac in the first book, I jumped right into the other Fontana books, although they are not yet available in ebook format (though the author has plans to rectify that this summer.) I just finished MORONS AND MADMEN, third in the series, a book which is stellar on so many levels
that -- wait, I'm supposed to be talking about a different book. I'll get back to you on M AND M when the ebook is released.) Okay, as for BLACK HEARTS AND SLOW DANCING:
The small town of Staircase, Washington, recently hired Mac Fontana as its new Fire Chief, a job for which Mac is perfectly qualified. And while he may not have the perfect qualifications to temporarily fill in for the Police Chief (who may be a trifle, uh, bugnuts), he gets sucked into that job anyway, and just in time for a truly nasty murder. A Seattle firefighter is found tortured and mutilated in the woods, and the search for his killer will lead Mac back to an urban landscape as dangerous as any fire. Mac Fontana is very much a man's man kind of character. There's no backing down in Mac's nature, which makes me think he'd get along great with Joe Pike. But along with highly intense action scenes (there is a scene in which Mac is left to die in an oil tank, one of the most frighteningly realistic scenes I've ever read; and the action-packed finale is better than anything Hollywood has pulled off in the DIE HARD series), the author deftly infuses the story with humor, realism, and well-rounded characters. This is a series that deserves to be (re-)discovered.
Showing posts with label Earl Emerson. Show all posts
Showing posts with label Earl Emerson. Show all posts
April 25, 2012
April 15, 2010
REVIEW: CAPE DISAPPOINTMENT by Earl Emerson (Reposted)
Corey first posted this review in 2009. Like him, I found myself grieving over the death of PI Thomas Black's wife, Kathy. I think this is one of Emerson's more complex and emotionally moving stories, and even so, there are still laugh-out-loud moments. This one is a gem.
Be sure to return tomorrow, not only for the final puzzle in our contest, but because I'm posting my interview with Earl Emerson, the creator of the Thomas Black series. You do not want to miss that. My talk with Mr. E will be only the second author interview ever at The Drowning Machine, so that gives you a clue as to how highly he is regarded here.
As for the contest, you'll find the answer to yesterday's puzzle and today's puzzle at the bottom off this post. (nj)
SYNOPSIS: A plane crash takes the lives of 11 people, including a US Senator and Kathy, the wife PI Thomas Black. Weeks later a bomb explodes in a gymnasium, taking four lives and nearly taking Black's life. Severely injured, hospitalized, his mind and memories clouded by painkillers, Thomas tries to patch events together. He recalls witnessing the plane crash just off Cape Disappointment. He also recalls the Slezak twins, Elmer aka 'Snake,' and Bert. Snake is a friend and fellow PI. Bert is whole 'nother story, Bert is a guy to worry about. A repeat offender only a half step from living on the streets and who was represented in court by Kathy for violating a restraining order, Bert had also warned Thomas to keep Kathy away from Senator Sheffield in case an 'asteroid' were to strike the Senator. Bert is full of paranoia, conspiracy theories and wild hairs, and he also has a mobile home stockpiled with more guns and ammunition than the Alamo. But if Bert is really the simple nutcase Thomas believes him to be, why are the FBI and the NTSB interested enough to hold him after the crash? How could a social outcast like Bert have known anything was going to happen to the Senator? Was it just coincidence that Bert was on the phone to Thomas right when the bomb exploded, killing four people and putting a steel bar through Thomas' abdomen? And the reporter who was asking some interesting questions about the plane crash, was the car wreck that killed her husband another coincidence?
REVIEW: It's been about 10 years since Emerson gave readers a new installment in the Thomas Black series, and it was so worth the wait. Over the years Emerson has created some memorable characters and thrilling plots, but I will argue with anyone who thinks this is not his best book yet because it is, and not by a small margin either. I was a little wary before reading this book because so much time had passed, I wondered if the author could still capture the upbeat, wise-cracking, affable voice of his PI. No worries. Opening this book was like falling in with old friends, there was a strong comfort level. At the same time, the reader is immediately sucked into the nightmare that has become Thomas' life.
It's a rare thriller that can evoke as much emotion as Cape Disappointment does without losing the thrill aspect. The unutterable grief Thomas Black endures is one that nearly everyone can identify with. Who has lost a loved one who has not also seen that person in parks, in cars, in stores for days, weeks even, after their death? We dream of them still being alive, we see signs around us that tell us they are trying to connect with the living. Most of us catch our breath, bear down on the pain, and go on. Thomas has a more difficult time than many because he has no body to bury – not all of the crash victims were recovered, although some bodies had washed ashore – and they were in the middle of a phone call when the plane went down. So when he sees Kathy anywhere he runs after her, but it's never Kathy. It's usually someone who doesn't even really look like her. Over and over, until the hinges on his mind start to work loose and he swears he won't run after people again. But he always does. His own personal Cape Disappointment awaits him every time. Emerson not only captures the early stages of grief perfectly, he also captures the actions and speech of those who are not grieving but must deal with the stricken Thomas. Those people run the gamut from the caring friend who simply watches over him (even Thomas realizes he's approaching a suicidal state of mind) to the attractive redhead who callously offers to come by and help clean out his wife's closet.
One of the wonderful things that has happened since Emerson last wrote about his PI is that his writing has been truly tested, grown and stretched. For this book the author has returned to the first-person singular POV so common to detective stories but that narrow POV doesn't feel like a restriction here, possibly because Emerson has learned so well how to seamlessly move the story back and forth in time. And because he has such an ear for conversation that his dialogue almost carries inflection. He could teach a master class on how to accomplish chronological and scene transitions without confusing the reader or slowing the pace while always moving the story forward. The tale moves back and forth from Thomas in and out of the hospital after the bombing to scenes before and after Kathy's death. With each change clues to the bombing or to the plane crash are provided, but also we get insight to the relationship between Thomas and his wife, between his wife and her clients and co-workers. Their marriage was not a perfect relationship but a longstanding one of depth and true friendship, and along the way we start to grieve with Thomas.
No thriller would be that without unexpected plot twists and Emerson provides some dandies, but never does he pull a James Patterson-like faux-frantic chapter ending just to leave the reader dangling. Every twist, every complication, has a raison d'etre, which gets really scary when social misfit Bert Slezak starts spouting conspiracy theories tightly connected with reality. When Thomas makes a CIA connection between Bert and the head of the NTSB, when he starts to think someone is poisoning him, and when Kathy's cellphone – the one at the bottom of the ocean – calls his cellphone, the puzzle isn't even close to being solved. Along the way Thomas is forced to face realities he never thought could exist and carry secrets that will forever haunt him.
Cape Disappointment was anything but disappointing. Characterization, pace, tight plotting, complex structure, and strong, muscular prose all combine in a winner of a book. It's absolutely, far and away, the best thriller I've read in ages. Welcome back, Thomas Black!
You shouldn't think that because Thomas is a recent widower that there is no humor in this book. Emerson always makes me laugh, and here's a sample that tickled my funny bone. In this scene Thomas is working in his cubicle and he overhears Kathy questioning the flaky Bert about the charges against him for violating a restraining order against his ex-wife:
Post your answer in the comments any time before tomorrow's post. Then come back tomorrow and Friday to find a new puzzle and post your answer. Everyone who posts a correct solution to each day's mystery will be entered into a drawing for a wonderful prize. The more puzzles you solve, the more chances you get to win. For example, if you post the correct answer to three out of the five puzzles this week, you will have three chances at the prize. And naturally, you must post your correct solution before the answer is revealed in the following day's post, or it won't count.
The winner will receive a copy of Cape Disappointment, the most recent book featuring Thomas Black, and a $35 gift certificate courtesy of Aunt Agatha's New & Used Mysteries, Detection and True Crime Books, in Ann Arbor, Michigan. Aunt Agatha's just happens to also be the Indie Store of the Month, Whenever you're in or near Ann Arbor, Michigan, be sure to visit.
Also, remember to check Jen's blog for continuing events honoring Detectives Around the World Week. And for heaven's sake, don't forget tomorrow: Earl Emerson himself!
Be sure to return tomorrow, not only for the final puzzle in our contest, but because I'm posting my interview with Earl Emerson, the creator of the Thomas Black series. You do not want to miss that. My talk with Mr. E will be only the second author interview ever at The Drowning Machine, so that gives you a clue as to how highly he is regarded here.
As for the contest, you'll find the answer to yesterday's puzzle and today's puzzle at the bottom off this post. (nj)
SYNOPSIS: A plane crash takes the lives of 11 people, including a US Senator and Kathy, the wife PI Thomas Black. Weeks later a bomb explodes in a gymnasium, taking four lives and nearly taking Black's life. Severely injured, hospitalized, his mind and memories clouded by painkillers, Thomas tries to patch events together. He recalls witnessing the plane crash just off Cape Disappointment. He also recalls the Slezak twins, Elmer aka 'Snake,' and Bert. Snake is a friend and fellow PI. Bert is whole 'nother story, Bert is a guy to worry about. A repeat offender only a half step from living on the streets and who was represented in court by Kathy for violating a restraining order, Bert had also warned Thomas to keep Kathy away from Senator Sheffield in case an 'asteroid' were to strike the Senator. Bert is full of paranoia, conspiracy theories and wild hairs, and he also has a mobile home stockpiled with more guns and ammunition than the Alamo. But if Bert is really the simple nutcase Thomas believes him to be, why are the FBI and the NTSB interested enough to hold him after the crash? How could a social outcast like Bert have known anything was going to happen to the Senator? Was it just coincidence that Bert was on the phone to Thomas right when the bomb exploded, killing four people and putting a steel bar through Thomas' abdomen? And the reporter who was asking some interesting questions about the plane crash, was the car wreck that killed her husband another coincidence?REVIEW: It's been about 10 years since Emerson gave readers a new installment in the Thomas Black series, and it was so worth the wait. Over the years Emerson has created some memorable characters and thrilling plots, but I will argue with anyone who thinks this is not his best book yet because it is, and not by a small margin either. I was a little wary before reading this book because so much time had passed, I wondered if the author could still capture the upbeat, wise-cracking, affable voice of his PI. No worries. Opening this book was like falling in with old friends, there was a strong comfort level. At the same time, the reader is immediately sucked into the nightmare that has become Thomas' life.
It's a rare thriller that can evoke as much emotion as Cape Disappointment does without losing the thrill aspect. The unutterable grief Thomas Black endures is one that nearly everyone can identify with. Who has lost a loved one who has not also seen that person in parks, in cars, in stores for days, weeks even, after their death? We dream of them still being alive, we see signs around us that tell us they are trying to connect with the living. Most of us catch our breath, bear down on the pain, and go on. Thomas has a more difficult time than many because he has no body to bury – not all of the crash victims were recovered, although some bodies had washed ashore – and they were in the middle of a phone call when the plane went down. So when he sees Kathy anywhere he runs after her, but it's never Kathy. It's usually someone who doesn't even really look like her. Over and over, until the hinges on his mind start to work loose and he swears he won't run after people again. But he always does. His own personal Cape Disappointment awaits him every time. Emerson not only captures the early stages of grief perfectly, he also captures the actions and speech of those who are not grieving but must deal with the stricken Thomas. Those people run the gamut from the caring friend who simply watches over him (even Thomas realizes he's approaching a suicidal state of mind) to the attractive redhead who callously offers to come by and help clean out his wife's closet.
One of the wonderful things that has happened since Emerson last wrote about his PI is that his writing has been truly tested, grown and stretched. For this book the author has returned to the first-person singular POV so common to detective stories but that narrow POV doesn't feel like a restriction here, possibly because Emerson has learned so well how to seamlessly move the story back and forth in time. And because he has such an ear for conversation that his dialogue almost carries inflection. He could teach a master class on how to accomplish chronological and scene transitions without confusing the reader or slowing the pace while always moving the story forward. The tale moves back and forth from Thomas in and out of the hospital after the bombing to scenes before and after Kathy's death. With each change clues to the bombing or to the plane crash are provided, but also we get insight to the relationship between Thomas and his wife, between his wife and her clients and co-workers. Their marriage was not a perfect relationship but a longstanding one of depth and true friendship, and along the way we start to grieve with Thomas.
No thriller would be that without unexpected plot twists and Emerson provides some dandies, but never does he pull a James Patterson-like faux-frantic chapter ending just to leave the reader dangling. Every twist, every complication, has a raison d'etre, which gets really scary when social misfit Bert Slezak starts spouting conspiracy theories tightly connected with reality. When Thomas makes a CIA connection between Bert and the head of the NTSB, when he starts to think someone is poisoning him, and when Kathy's cellphone – the one at the bottom of the ocean – calls his cellphone, the puzzle isn't even close to being solved. Along the way Thomas is forced to face realities he never thought could exist and carry secrets that will forever haunt him.
Cape Disappointment was anything but disappointing. Characterization, pace, tight plotting, complex structure, and strong, muscular prose all combine in a winner of a book. It's absolutely, far and away, the best thriller I've read in ages. Welcome back, Thomas Black!
You shouldn't think that because Thomas is a recent widower that there is no humor in this book. Emerson always makes me laugh, and here's a sample that tickled my funny bone. In this scene Thomas is working in his cubicle and he overhears Kathy questioning the flaky Bert about the charges against him for violating a restraining order against his ex-wife:
"Then what happened?"
"Her boyfriend showed up."
"And?"
"He was supposed to be at work. He works the night shift down at Nucor Steel in West Seattle. You think somebody tipped him off? Maybe the government? I've been seeing more undercover federal agents in town. Did I tell you that? I'm being followed by government agents. I ditched one this morning on the way here." Bert's paranoia showed up in almost every conversation, though it was usually under some degree of control by the time he headed to court, as if the sweat factor snapped him out of it.
"Okay. What can you tell me about the car?"
"They can't prove a thing."
"They have a witness who ID'd you. And it is quite a coincidence that the boyfriend throws you out of the house and three hours later his car burns down to the rims."
"Coincidences happen all the time."
"We drew Anderson and she's tough on domestic cases. It would help if you could show some remorse in court."
"Sure. I can fake remorse."
"Genuine remorse would be better."
"No problem. I can fake that, too." He must have made a comical face, which he was prone to, because Kathy laughed.
"You're laughing. They say that's the key to a woman's heart. Make her laugh. Check out how many comedians have married beautiful women. What do you say? Costa Rica? Just you and me and a thatched roof under the stars. We could be there in two days. We'd never have another care in this world. I would read Emily Dickinson out loud and massage your feet after long walks on the beach. Haven't you ever wanted to have a man who made you laugh, worshipped your every move, and knew how to skin a rabbit?"
"The man I have makes me laugh and worships my every move, and what's more I believe he's sitting outside that door."
"Can he skin a rabbit?"
"Probably not, but I wouldn't be surprised if he was about to tan your hide."
THE CONTEST
Yesterday's Puzzle: There are four Thomas Black books that have actual Washington locations in the titles: Cape Disappointment, Deception Pass, Poverty Bay, and The Rainy City. That last one, of course, is Seattle's informal nickname. The Portland Laugher refers to Portland, Oregon. There is no Portland, Washington, according to Google Maps.
Today's Puzzle:
Yesterday's Puzzle: There are four Thomas Black books that have actual Washington locations in the titles: Cape Disappointment, Deception Pass, Poverty Bay, and The Rainy City. That last one, of course, is Seattle's informal nickname. The Portland Laugher refers to Portland, Oregon. There is no Portland, Washington, according to Google Maps.
Today's Puzzle:
There are two lighthouses at Cape Disappointment, both built in the 19th century. How many lighthouses (+/- 50) guard the shores of the United States today?
Post your answer in the comments any time before tomorrow's post. Then come back tomorrow and Friday to find a new puzzle and post your answer. Everyone who posts a correct solution to each day's mystery will be entered into a drawing for a wonderful prize. The more puzzles you solve, the more chances you get to win. For example, if you post the correct answer to three out of the five puzzles this week, you will have three chances at the prize. And naturally, you must post your correct solution before the answer is revealed in the following day's post, or it won't count.
The winner will receive a copy of Cape Disappointment, the most recent book featuring Thomas Black, and a $35 gift certificate courtesy of Aunt Agatha's New & Used Mysteries, Detection and True Crime Books, in Ann Arbor, Michigan. Aunt Agatha's just happens to also be the Indie Store of the Month, Whenever you're in or near Ann Arbor, Michigan, be sure to visit.
Also, remember to check Jen's blog for continuing events honoring Detectives Around the World Week. And for heaven's sake, don't forget tomorrow: Earl Emerson himself!
April 13, 2010
REVIEW: THE MILLION-DOLLAR TATTOO
Welcome to day two of Detectives Around the World Week, sponsored by Jen's Book Thoughts. As many of you correctly guessed yesterday, The Drowning Machine is celebrating fictional PI Thomas Black, Seattle. Thomas Black is the creation of a great story-teller, Earl Emerson.
Before I talk about Thomas, just a reminder that you'll want to come back every day this week from now through Friday for a chance to win a copy of Emerson's Cape Disappointment and a $35 gift certificate courtesy of Aunt Agatha's New & Used Mysteries, Detection and True Crime Books, our Indie Store of the Month here at The Drowning Machine.
And now, meet Thomas Black:
Thomas is an ex-cop who took a disability pension after he inadvertently shot and killed a teenager he thought had a weapon. This quick-witted, bike-riding PI has been the lead investigator in twelve novels, spanning a publishing time frame of 25 years. Thomas first appeared on the crime fiction scene back in 1984's The Rainy City, and he knows his way around the streets, mean or otherwise, of Seattle. And author Earl Emerson knows those streets very well indeed because he's a full-time firefighter with the Seattle Fire Department. Fans of Emerson, stay tuned this week for an interview with one of the most candid and interesting authors I've ever had the pleasure of chatting with.
The second novel in the Thomas Black series, Poverty Bay, won the 1986 Shamus Award from the Private Eye Writers of America for Best Original PI Paperback. Guess who one of the other nominees was in that category that year? Uh, yeah, Earl Emerson, for The Rainy City. Poverty Bay also was nominated for an Edgar that year.
The following year, the third book in the series, Nervous Laughter, was also nominated for a Shamus. Two short years later still, Deviant Behavior, the fifth Thomas Black mystery, was nominated for Best PI Hardcover, and in 1996, The Vanishing Smile, TB #8, also collected a Shamus nomination. In 1998, it was Deception Pass that got a nomination. And let me note that the other nominees that year -- non-winners also-- included Robert Crais for Indigo Slam and Sacred by Dennis Lehane. So you can see that as a writer Emerson has been keeping exclusive and highly-regarded company for a long time. Yeah. So those of you who haven't discovered this fine series, go ahead and kick yourself now. I'll wait.
Book nine in the Thomas Black series is The Million-Dollar Tattoo. Corey selected this book several weeks ago for the Detectives Around the World blog fest, because he liked the connections between this book and the the most recent book in the series, Cape Disappointment, which will also be reviewed later this week. Those connections have to do with twin brothers who see conspiracy all around them. I was happy with Corey's selection just because this is one of my favorite entries in one of my favorite mystery series. Tattoo is a fun and funny story, and still manages to address a topic which is still relevant in the have/have not culture of modern America. And, as is his wont with the entire series, Emerson shows the reader many intriguing facets of Thomas Black's hometown: Seattle, the rainy city.
SYNOPSIS: Hard-drinking, gunslinging PI Elmer 'Snake' Slezak woke up at 4 am to pee and found he had a much bigger problem than a full bladder. That PYT sleeping next to him? Dead. Strangled. Snake is just awake enough to call his fellow PI Thomas Black for help. Snake swears he didn't do it. Thing is, he also swears she's an alien. Not alien as in immigration status; alien as in from outer space. He knew her only as "Seventy-Three." He also swears that he's been sleeping with a whole bunch aliens as part of an intergalactic breeding program.
Thomas naturally concludes that the paranoid and highly volatile Snake has gone completely 'round the twist, but Thomas's wife, Kathy, a criminal lawyer who is ever-sympathetic to someone in trouble, agrees to represent Snake even though she can't stand him. (He might have goosed her once.) The result is that Thomas has to work this like a real case, even though he thinks Snake probably killed the woman in a drunken bout of paranoia and doesn't remember doing it.
It isn't long before Thomas finds himself interviewing everyone from a homeless guy Snake was feeding to a power-tripping corporate front-man who just might be ex-MI-6. Mysteries Thomas must investigate include the a tattoo of a butterfly, which all of the "aliens" had - except the dead one. And whether there really are dwarfs in a Buick following Snake. And what's the deal with the multinational conglomerate waving big bucks and insisting that Thomas drop what he's doing and come to work for them immediately? And who is the mysterious man who comes through with bail for Snake?
REVIEW: Snake Slezak has to be one of the most colorful PIs in fiction. He darned near steals the show from Thomas and Kathy in this book. That's not easily done because this PI-and-lawyer husband-and-wife team give off Nick'n'Nora-type sparks with their flirtatious wit and sexual banter. Snake is a confident, ex-rodeo rider, and a shameless womanizer; he's also hopelessly un-PC, paranoid, devious, impetuous, blunt-spoken, and a heavy drinker who loves guns. How do you suppose a guy like that could ever end up in trouble?
Thomas is none of those things, except for confident. He's athletic, in love with his wife, good humored, and rarely feels the need to tote a firearm. But, boy, is he relentless with a puzzle. He also doesn't take to being pushed around, and once Thomas starts digging into the events leading up to the murder in Snake's bed, the pushing and shoving start to get out of hand.
Of course, just because Thomas doesn't like getting pushed around doesn't necessarily mean there aren't some characters big and bad enough to do just that. Thomas is no superhero, he isn't even a Jack Reacher wannabe. He's close enough to being an everyman that readers can identify with him but not so close they could be bored by him. There is a scene in a supermarket where one of those bigger, badder characters begins to take Thomas to pieces, our PI having unwisely interfered in a violent domestic dispute. For many authors this would be a standard action sequence. In Earl Emerson's hands, this is an opportunity not only to further the plot but to leaven the drama with a large dose of hilarity as Thomas discovers the near-addictive joy of wielding, however carelessly, a Taser-like electroshock weapon.
Thomas's wife, Kathy, has the level-headed qualities a reader expects in a criminal attorney, but she's also attracted to the action that occurs around Thomas. She's a welcome change from the cliched female romantic figure in PI fiction; you know, the woman who gets bent out of shape because she's in fear every time the PI she loves faces danger, and is always threatening to leave him (and sometimes does).
That's not Kathy. She's always known what Thomas does for a living, and she has no interest in changing him. And if something is going down, she wants to be there. She's no over-the-top kick-ass karate expert or anything like that but she's smart and she's not a wuss. She's clearly her own woman, and not a female version of her husband, although her sense of humor is a perfect match for his. (Too bad Elvis Cole didn't meet this lady-lawyer before that he hooked up with that other one.)
Earl Emerson has a talent for creating characters not just believable and interesting but also easy to see in your mind's eye. And yet the villain of this piece, nameless here in order to avoid spoilers, is not so easily seen, even though Emerson puts that character squarely in front of both Thomas and the reader. Emerson also keeps control of the pace, with plenty of twists and turns to keep the reader laughing and guessing. Transitions are made smooth by Thomas's humorously masculine POV. This is a fine, fun mystery and the underlying theme of unchecked power is handled with finesse. Emerson is a gifted storyteller who won't scare readers into paranoia or strew blood and guts all over the pages, but will keep them turning those pages.
Here's how Thomas describes Snake:
Post your answer in the comments any time before tomorrow's post. Then come back every day this week to find a new puzzle and post your answer. Everyone who posts a correct solution to each day's mystery will be entered into a drawing for a wonderful prize. The more puzzles you solve, the more chances you get to win. For example, if you post the correct answer to three out of the five puzzles this week, you will have three chances at the prize. And naturally, you must post your correct solution before the answer is revealed in the following day's post, or it won't count.
The winner will receive a copy of Cape Disappointment, the most recent book featuring Thomas Black, and a $35 gift certificate courtesy of our Aunt Agatha's New & Used Mysteries, Detection and True Crime Books, in Ann Arbor, Michigan. Aunt Agatha's just happens to also be the Indie Store of the Month, Whenever you're in or near Ann Arbor, Michigan, be sure to visit.
Also, remember to check Jen's blog for the schedule of events honoring Detectives Around the World Week all over the crime fiction blogosphere this week. I bet somebody else is giving away freebies, too!
Before I talk about Thomas, just a reminder that you'll want to come back every day this week from now through Friday for a chance to win a copy of Emerson's Cape Disappointment and a $35 gift certificate courtesy of Aunt Agatha's New & Used Mysteries, Detection and True Crime Books, our Indie Store of the Month here at The Drowning Machine.
And now, meet Thomas Black:
Thomas is an ex-cop who took a disability pension after he inadvertently shot and killed a teenager he thought had a weapon. This quick-witted, bike-riding PI has been the lead investigator in twelve novels, spanning a publishing time frame of 25 years. Thomas first appeared on the crime fiction scene back in 1984's The Rainy City, and he knows his way around the streets, mean or otherwise, of Seattle. And author Earl Emerson knows those streets very well indeed because he's a full-time firefighter with the Seattle Fire Department. Fans of Emerson, stay tuned this week for an interview with one of the most candid and interesting authors I've ever had the pleasure of chatting with.
The second novel in the Thomas Black series, Poverty Bay, won the 1986 Shamus Award from the Private Eye Writers of America for Best Original PI Paperback. Guess who one of the other nominees was in that category that year? Uh, yeah, Earl Emerson, for The Rainy City. Poverty Bay also was nominated for an Edgar that year.
The following year, the third book in the series, Nervous Laughter, was also nominated for a Shamus. Two short years later still, Deviant Behavior, the fifth Thomas Black mystery, was nominated for Best PI Hardcover, and in 1996, The Vanishing Smile, TB #8, also collected a Shamus nomination. In 1998, it was Deception Pass that got a nomination. And let me note that the other nominees that year -- non-winners also-- included Robert Crais for Indigo Slam and Sacred by Dennis Lehane. So you can see that as a writer Emerson has been keeping exclusive and highly-regarded company for a long time. Yeah. So those of you who haven't discovered this fine series, go ahead and kick yourself now. I'll wait.
Book nine in the Thomas Black series is The Million-Dollar Tattoo. Corey selected this book several weeks ago for the Detectives Around the World blog fest, because he liked the connections between this book and the the most recent book in the series, Cape Disappointment, which will also be reviewed later this week. Those connections have to do with twin brothers who see conspiracy all around them. I was happy with Corey's selection just because this is one of my favorite entries in one of my favorite mystery series. Tattoo is a fun and funny story, and still manages to address a topic which is still relevant in the have/have not culture of modern America. And, as is his wont with the entire series, Emerson shows the reader many intriguing facets of Thomas Black's hometown: Seattle, the rainy city.
THE MILLION-DOLLAR TATTOO
Thomas naturally concludes that the paranoid and highly volatile Snake has gone completely 'round the twist, but Thomas's wife, Kathy, a criminal lawyer who is ever-sympathetic to someone in trouble, agrees to represent Snake even though she can't stand him. (He might have goosed her once.) The result is that Thomas has to work this like a real case, even though he thinks Snake probably killed the woman in a drunken bout of paranoia and doesn't remember doing it.
It isn't long before Thomas finds himself interviewing everyone from a homeless guy Snake was feeding to a power-tripping corporate front-man who just might be ex-MI-6. Mysteries Thomas must investigate include the a tattoo of a butterfly, which all of the "aliens" had - except the dead one. And whether there really are dwarfs in a Buick following Snake. And what's the deal with the multinational conglomerate waving big bucks and insisting that Thomas drop what he's doing and come to work for them immediately? And who is the mysterious man who comes through with bail for Snake?
REVIEW: Snake Slezak has to be one of the most colorful PIs in fiction. He darned near steals the show from Thomas and Kathy in this book. That's not easily done because this PI-and-lawyer husband-and-wife team give off Nick'n'Nora-type sparks with their flirtatious wit and sexual banter. Snake is a confident, ex-rodeo rider, and a shameless womanizer; he's also hopelessly un-PC, paranoid, devious, impetuous, blunt-spoken, and a heavy drinker who loves guns. How do you suppose a guy like that could ever end up in trouble?
Thomas is none of those things, except for confident. He's athletic, in love with his wife, good humored, and rarely feels the need to tote a firearm. But, boy, is he relentless with a puzzle. He also doesn't take to being pushed around, and once Thomas starts digging into the events leading up to the murder in Snake's bed, the pushing and shoving start to get out of hand.
Of course, just because Thomas doesn't like getting pushed around doesn't necessarily mean there aren't some characters big and bad enough to do just that. Thomas is no superhero, he isn't even a Jack Reacher wannabe. He's close enough to being an everyman that readers can identify with him but not so close they could be bored by him. There is a scene in a supermarket where one of those bigger, badder characters begins to take Thomas to pieces, our PI having unwisely interfered in a violent domestic dispute. For many authors this would be a standard action sequence. In Earl Emerson's hands, this is an opportunity not only to further the plot but to leaven the drama with a large dose of hilarity as Thomas discovers the near-addictive joy of wielding, however carelessly, a Taser-like electroshock weapon.
Thomas's wife, Kathy, has the level-headed qualities a reader expects in a criminal attorney, but she's also attracted to the action that occurs around Thomas. She's a welcome change from the cliched female romantic figure in PI fiction; you know, the woman who gets bent out of shape because she's in fear every time the PI she loves faces danger, and is always threatening to leave him (and sometimes does).
That's not Kathy. She's always known what Thomas does for a living, and she has no interest in changing him. And if something is going down, she wants to be there. She's no over-the-top kick-ass karate expert or anything like that but she's smart and she's not a wuss. She's clearly her own woman, and not a female version of her husband, although her sense of humor is a perfect match for his. (Too bad Elvis Cole didn't meet this lady-lawyer before that he hooked up with that other one.)
Earl Emerson has a talent for creating characters not just believable and interesting but also easy to see in your mind's eye. And yet the villain of this piece, nameless here in order to avoid spoilers, is not so easily seen, even though Emerson puts that character squarely in front of both Thomas and the reader. Emerson also keeps control of the pace, with plenty of twists and turns to keep the reader laughing and guessing. Transitions are made smooth by Thomas's humorously masculine POV. This is a fine, fun mystery and the underlying theme of unchecked power is handled with finesse. Emerson is a gifted storyteller who won't scare readers into paranoia or strew blood and guts all over the pages, but will keep them turning those pages.
Here's how Thomas describes Snake:
He was reputed to be Tacoma's sleaziest investigator, but if you knew him well, you knew the label wasn't entirely accurate. He was dirty-minded, opinionated, and cantankerous, but he had plenty of empathy for his clients. He'd once broken into tears over not locating a fifteen-year-old runaway, the daughter of a Boeing engineer, a girl he'd discovered had been sexually abused by a half-brother and was now hooking somewhere along the coast. More than once he'd loaned cash to clients who hadn't been able to pay their bills.
Among his preferred hobbies were shooting rats in the county dump, homophobia, catching bullets in his teeth, and moral superiority, though his real passion was, as he put it, "chasing pussy."
With bricks in his pockets he weighed in at a hundred twenty-five pounds, and perhaps because of his Lilliputian stature, he was feistier than he needed to be. The hardest I ever laughed was in a bar in San Diego when he got the crap knocked out of him by a one-armed woman who'd retired from the Roller Derby. During the scrap he'd pulled off her prosthesis and was drunk enough to think he'd pulled off a real arm. He bawled about his own brutality even as she threw him across the floor with her good arm. The brawl lasted six or seven minutes, and Snake never got in a single lick.
THE CONTEST
You have more money than you can count. You want to buy a million-dollar tattoo. (Shut up. You DO.) How many US treasury notes bearing this image will you need to make your purchase?
Post your answer in the comments any time before tomorrow's post. Then come back every day this week to find a new puzzle and post your answer. Everyone who posts a correct solution to each day's mystery will be entered into a drawing for a wonderful prize. The more puzzles you solve, the more chances you get to win. For example, if you post the correct answer to three out of the five puzzles this week, you will have three chances at the prize. And naturally, you must post your correct solution before the answer is revealed in the following day's post, or it won't count.
The winner will receive a copy of Cape Disappointment, the most recent book featuring Thomas Black, and a $35 gift certificate courtesy of our Aunt Agatha's New & Used Mysteries, Detection and True Crime Books, in Ann Arbor, Michigan. Aunt Agatha's just happens to also be the Indie Store of the Month, Whenever you're in or near Ann Arbor, Michigan, be sure to visit.
Also, remember to check Jen's blog for the schedule of events honoring Detectives Around the World Week all over the crime fiction blogosphere this week. I bet somebody else is giving away freebies, too!
March 1, 2009
REVIEW: CAPE DISAPPOINTMENT by Earl Emerson
SYNOPSIS: A plane crash takes the lives of 11 people, including a US Senator and Kathy, the wife PI Thomas Black. Weeks later a bomb explodes in a gymnasium, taking four lives and nearly taking Black's life. Severely injured, hospitalized, his mind and memories clouded by painkillers, Thomas tries to patch events together. He recalls witnessing the plane crash just off Cape Disappointment. He also recalls the Slezak twins, Elmer aka 'Snake,' and Bert. Snake is a friend and fellow PI. Bert is whole 'nother story, Bert is a guy to worry about. A repeat offender only a half step from living on the streets and who was represented in court by Kathy for violating a restraining order, Bert had also warned Thomas to keep Kathy away from Senator Sheffield in case an 'asteroid' were to strike the Senator. Bert is full of paranoia, conspiracy theories and wild hairs, and he also has a mobile home stockpiled with more guns and ammunition than the Alamo. But if Bert is really the simple nutcase Thomas believes him to be, why are the FBI and the NTSB interested enough to hold him after the crash? How could a social outcast like Bert have known anything was going to happen to the Senator? Was it just coincidence that Bert was on the phone to Thomas right when the bomb exploded, killing four people and putting a steel bar through Thomas' abdomen? And the reporter who was asking some interesting questions about the plane crash, was the car wreck that killed her husband another coincidence?REVIEW: It's been about 10 years since Emerson gave readers a new installment in the Thomas Black series, and it was so worth the wait. Over the years Emerson has created some memorable characters and thrilling plots, but I will argue with anyone who thinks this is not his best book yet because it is, and not by a small margin either. I was a little wary before reading this book because so much time had passed, I wondered if the author could still capture the upbeat, wise-cracking, affable voice of his PI. No worries. Opening this book was like falling in with old friends, there was a strong comfort level. At the same time, the reader is immediately sucked into the nightmare that has become Thomas' life.
It's a rare thriller that can evoke as much emotion as Cape Disappointment does without losing the thrill aspect. The unutterable grief Thomas Black endures is one that nearly everyone can identify with. Who has lost a loved one who has not also seen that person in parks, in cars, in stores for days, weeks even, after their death? We dream of them still being alive, we see signs around us that tell us they are trying to connect with the living. Most of us catch our breath, bear down on the pain, and go on. Thomas has a more difficult time than many because he has no body to bury – not all of the crash victims were recovered, although some bodies had washed ashore – and they were in the middle of a phone call when the plane went down. So when he sees Kathy anywhere he runs after her, but it's never Kathy. It's usually someone who doesn't even really look like her. Over and over, until the hinges on his mind start to work loose and he swears he won't run after people again. But he always does. His own personal Cape Disappointment awaits him every time. Emerson not only captures the early stages of grief perfectly, he also captures the actions and speech of those who are not grieving but must deal with the stricken Thomas. Those people run the gamut from the caring friend who simply watches over him (even Thomas realizes he's approaching a suicidal state of mind) to the attractive redhead who callously offers to come by and help clean out his wife's closet.
One of the wonderful things that has happened since Emerson last wrote about his PI is that his writing has been truly tested, grown and stretched. For this book the author has returned to the first-person singular POV so common to detective stories but that narrow POV doesn't feel like a restriction here, possibly because Emerson has learned so well how to seamlessly move the story back and forth in time. And because he has such an ear for conversation that his dialogue almost carries inflection. He could teach a master class on how to accomplish chronological and scene transitions without confusing the reader or slowing the pace while always moving the story forward. The tale moves back and forth from Thomas in and out of the hospital after the bombing to scenes before and after Kathy's death. With each change clues to the bombing or to the plane crash are provided, but also we get insight to the relationship between Thomas and his wife, between his wife and her clients and co-workers. Their marriage was not a perfect relationship but a longstanding one of depth and true friendship, and along the way we start to grieve with Thomas.
No thriller would be that without unexpected plot twists and Emerson provides some dandies, but never does he pull a James Patterson-like faux-frantic chapter ending just to leave the reader dangling. Every twist, every complication, has a raison d'etre, which gets really scary when social misfit Bert Slezak starts spouting conspiracy theories tightly connected with reality. When Thomas makes a CIA connection between Bert and the head of the NTSB, when he starts to think someone is poisoning him, and when Kathy's cellphone – the one at the bottom of the ocean – calls his cellphone, the puzzle isn't even close to being solved. Along the way Thomas is forced to face realities he never thought could exist and carry secrets that will forever haunt him.
Cape Disappointment was anything but disappointing. Characterization, pace, tight plotting, complex structure, and strong, muscular prose all combine in a winner of a book. It's absolutely, far and away, the best thriller I've read in ages. Welcome back, Thomas Black!
You shouldn't think that because Thomas is a recent widower that there is no humor in this book. Emerson always makes me laugh, and here's a sample that tickled my funny bone. In this scene Thomas is working in his cubicle and he overhears Kathy questioning the flaky Bert about the charges against him for violating a restraining order against his ex-wife:
"Then what happened?"
"Her boyfriend showed up."
"And?"
"He was supposed to be at work. He works the night shift down at Nucor Steel in West Seattle. You think somebody tipped him off? Maybe the government? I've been seeing more undercover federal agents in town. Did I tell you that? I'm being followed by government agents. I ditched one this morning on the way here." Bert's paranoia showed up in almost every conversation, though it was usually under some degree of control by the time he headed to court, as if the sweat factor snapped him out of it.
"Okay. What can you tell me about the car?"
"They can't prove a thing."
"They have a witness who ID'd you. And it is quite a coincidence that the boyfriend throws you out of the house and three hours later his car burns down to the rims."
"Coincidences happen all the time."
"We drew Anderson and she's tough on domestic cases. It would help if you could show some remorse in court."
"Sure. I can fake remorse."
"Genuine remorse would be better."
"No problem. I can fake that, too." He must have made a comical face, which he was prone to, because Kathy laughed.
"You're laughing. They say that's the key to a woman's heart. Make her laugh. Check out how many comedians have married beautiful women. What do you say? Costa Rica? Just you and me and a thatched roof under the stars. We could be there in two days. We'd never have another care in this world. I would read Emily Dickinson out loud and massage your feet after long walks on the beach. Haven't you ever wanted to have a man who made you laugh, worshipped your every move, and knew how to skin a rabbit?"
"The man I have makes me laugh and worships my every move, and what's more I believe he's sitting outside that door."
"Can he skin a rabbit?"
"Probably not, but I wouldn't be surprised if he was about to tan your hide."
February 28, 2009
February: Hearts and Darts
Time to look back at what I read this past month. Thomas Perry's Runner, Joe Barone's The Body In the Record Room, and Ken Bruen's Sanctuary were all good enough for me to rise above my blogging apathy and write reviews for. Hearts to them. A big heart to Earl Emerson's Cape Disappointment. I plan to write a review for it as soon as I catch up on my sleep. I was up nearly all night finishing that one, which I think is Emerson's best book yet, even better than Into the Inferno.Books I should have written reviews for because they deserve that good things be said and written about them:
Rogues Males: Conversations & Confrontations About the Writing Life by Craig McDonald. His interviews with the likes of James Crumley, Daniel Woodrell, Kinky Friedman, et al, are remarkably candid and conversational in tone, rather than interrogatory. If you are a writer, there's something to learn from these men. If you are a reader, you'll find them entertaining, particularly if you are familiar with their work. One of my favorite quotes (and there are too many to post) is from Kinky Friedman: "When you publish as many books as I do, Craig, well, that's an index of an empty life. That's all it can mean." What do you think, is Kinky right or wrong or -- as I think -- both?
Kindness Goes Unpunished by Craig Johnson. When Wyoming Sheriff Walt Longmire visits his daughter in Philadelphia he ends up spending his time trying to find who bashed his only child's head in. Johnson has such a good internal knowledge of his characters and is so comfortable with them that he doesn't hesitate to take them out of their milieu or to put them in awkward social situations. Johnson is so good at his job that he makes it look effortless. But if it were really that easy we could all do it. Truth is, few can.Books I enjoyed but for one reason or another I didn't fall in love with them:
Spade & Archer by Joe Gores, a prequel (to Dashiell Hammett's The Maltese Falcon) that explains how Spade and the doomed Archer became partners, how Effie Perine became Sam's gal Friday, as well as provides three interrelated mysteries for Sam to solve. Kudos to Gores, the guy has major cojones, because anyone who tackles the icon that is Sam Spade is setting himself up as a human pincushion. That Gores mostly succeeds is due to his own talent and skills. For me, oddly enough, it is the third mystery of the book that doesn't work as well for me as the previous sections. Odd, because that's the section of the book where I understand Gores worked from some original Dash Hammett material or ideas. And while Gores is a fine writer -- not that he needs me or anyone else to tell him that -- I still missed that cold camera's-eye view that Hammett brought to his writing. Gores sometimes captured that detachment, sometimes not. And I enjoyed the first two-thirds of the book enough that I hope he gives us another Sam Spade story, maybe post-Falcon.
Kate Atkinson's When Will There Be Good News? The author writes elegant prose and creates fascinating characters and interesting situations. As a thriller the story gets a bit top-heavy with coincidence, but really, the writing is so fine that that wasn't a real problem for me. My problem, and I confess it's probably mine alone, was that I couldn't buy into the complex structure of the story. The story follows several characters but never the most intriguing one, the one at the heart of the story. I'm sure that was a deliberate decision by the author and that she had very good reasons for doing so, but for me it didn't work. It masked the attributes of that character so that it became hard for me to empathize or to buy into some of that character's actions late in the book.
Down In the Flood by Kenneth Abel. Even though Hurricane Katrina is bearing down on New Orleans, lawyer and former bag man Danny Chaisson can't leave the city until he finds the grand jury witness who's been abducted by a pair of ex-NOPD officers. As a thriller the pace is a little slow for my taste. Abel doesn't create as many subplots or twists as in his previous Danny Chaisson books. But as a day by day account of how difficult survival was in New Orleans in the days following Hurricane Katrina the book is unflinching. The prose is vivid and Danny's unwillingness to let himself off the hook of responsibility makes him one of my favorite NOLA characters. And the climactic scene is a doozy, one worthy of Hollywood.
The Sky Took Him by Donis Casey. In this outing, Alafair Tucker, with oldest and youngest children in tow, ventures to the big town (in 1915) of Enid, Oklahoma, to be a help to her sister as her brother-in-law is dying. Alafair involves herself in the disappearance of a relative. I always enjoy Alafair's perceptions of her world and there are some interesting characters but I thought the revelation of the killer was both predictable and a little contrived. I blame the big city for being a bad influence on Alafair, and I'm sure that as soon as she gets back to the farm she'll be right as rain.Books that I regret to report I did not enjoy; not to say they were bad books, they have their strong points. Fortunately they all have their fans and do not need my approbation:
Marcus Sakey's Good People was a disappointment to me. The prose and the mechanics of the book are fine, but I never warmed to his main characters, a couple deep in debt, desperate for a baby, who stumble on enough dirty money to fund more attempts at in vitro fertilization (failed IVFs come at $15K a pop). Maybe it's just me, because I've never had a strong compulsion to recreate, but I was rooting against them all the way.
O' Artful Death by Sarah Stewart Taylor includes some fascinating information on funerary art but I had trouble staying awake for the rest of it. At some point the various relationships between characters who did not interest me overwhelmed the mystery.
Super In the City by Daphne Uviller. My mistake, I thought the book was supposed to be a mystery. An honest mistake on my part. It's really chick lit, and as such may be pretty darned good, I haven't read that much in the genre, but this book wasn't to my taste. But if you do like chick lit, this one zips right along and works hard at being clever. It's about one Zephyr Zuckerman who becomes the super in her parents apartment building and starts to discover all the tenants' nasty little secrets. Except most of the story is about crashing parties and dates and relationships and how to get one and, well, what I presume is the usual chick lit fare.
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