The above illustration, "Blowing Bubbles," has been adapted for use here by generous permission from the artist, Cyril Rolando.

September 9, 2011

REFLECTIONS IN A GLASS OF MARYLAND RYE by Edward A. Grainger

In general, The Drowning Machine publishes only winning fiction resulting from our annual Watery Grave contest. But some little while back, David Cranmer (aka Edward A. Grainger) promised me an original story to be published here first. Who would say 'no' to that offer? Like his fictional heroes, Cash Laramie and Gideon Miles, David is an honorable man, and his word is his bond. He is also the author of the bestselling Kindle collection, The Adventures of Cash Laramie and Gideon Miles. I am extremely proud to present here his excellent new Cash Laramie story, a tale about blind justice, Reflections in a Glass of Maryland Rye.

Reflections in a Glass of Maryland Rye

Edward A. Grainger

“Marshal, you want more?” the pockmarked lad asked.
Through glazed eyes, Cash Laramie tried to remember the waiter’s name. Was it Jim—or Jerry? He wasn’t going to recollect, and he didn’t really care. He settled on nodding then watched the kid pour whiskey in his glass and set the bottle down next to it. Jim, or Jerry, moved to a nearby table where two cowboys sat.
Cash looked in the jewel-toned liquid and saw distorted burned-out cinders in blue orbs staring vacantly back at him. Startled, he looked up at the mirror behind the bar where he met his likeness: tired eyes, week-old stubble on a square jaw, a dusty black Stetson tilted high on his head, and an Arapaho arrowhead dangling on a leather thong around his neck. He swirled the drink and then took a swig, wondering how long he would continue to recall that man—another name he couldn't remember—and that day.
He watched the waiter pouring ale into a mug as one cowboy tossed some coins on the table.
Silver. That was the man's name. How could he have forgotten? Wanted for horse thieving.
A full year had passed since he tracked Silver to a cabin in Upton, Wyoming. As Cash rode up on Paint, the man stood at the cabin door aiming a Henry rifle at him. “I ain’t going back. They mean to hang me, but I’m innocent.”
“You have no choice, Silver.”
Cash slid off his mount on the left, stepped away and pulled a Winchester rifle from the scabbard in one sleek movement.
Silver raised the barrel, firing lead over Cash’s head, and then retreated inside, slamming the wooden door closed. The gun barrel reappeared through a slot centered in the door.
Cash slapped Paint away with a stern “git” and then, ripping off rifle slugs at the house, he darted behind a wagon next to the well. He flinched as potshots rained down from his right, splintering the wagon inches above his head. A puff of gray smoke drifted from the barn loft about two hundred yards away.
He targeted the bushwhacker’s outline in the shadows and triggered his weapon. The slim figure in over-sized dungarees dropped in an ungainly heap to the ground.
A shout rang out from the cabin as the door flung open again, Silver charging hell-for-leather toward the barn, yelling, “Jamie!”
Cash drew a bead on the running mark, and Silver stumbled as the bullets punched him to the ground. He slipped cartridges in his Winchester when abruptly Silver sat bolt upright, firing shots that split the air beside the marshal’s ear. Cash palmed the rifle in his left hand while yanking the Colt holstered on his right hip free and blasted the horse thief, hitting him in the gut.
Silver gasped, dropped the Henry, and kissed the earth again.
Cash pouched his iron and sprinted to the barn. He hadn’t come with the intent to kill.
He slowed as he approached the body and then stopped and angrily kicked the dirt. A young woman lay contorted on the ground with an arm stretched out, blood trickling in parallel. Could have been the man’s daughter. Could have been a much-younger wife. Didn’t matter. She nearly killed him.
He found a shovel and buried the woman in the field behind the barn, marking the shallow grave with a wooden cross.
Paint stood several hundred feet away at the edge of the clearing. He walked over, replaced the Winchester and then led the pinto back to the homestead.
Cash went in the cabin, scouring the rooms for any sign of next of kin. All he turned up was several letters from Arden V.S. Thompson, Esq. from Boston stacked on the table. He pocketed them and left for the barn.
As Cash stood in front of a stall gate, two horses whinnied and stomped their hooves. He identified the chestnut-colored horse as the stolen mare and the other as Silver’s. He bridled each and led both out to the yard where Silver still lay. Cash draped the body over Silver’s horse, binding the man’s wrists and ankles underneath, and then tethered the two horses together behind Paint. He mounted up and they ambled off.
Several miles into the hard trail to Casper, he dug into his vest pocket and pulled out a black cheroot. He scratched a Lucifer to life off his leather belt and fired up the end of his cigar.
A muffled noise came from behind. Cash dropped the match as he swiveled around in the saddle.
Silver’s left eye looked wearily at the ground and his shoulder squirmed under taut ropes. Cash slid off his mount, and strode back to the corpse that seemed to have come back to life.
He bent down and listened as the man sputtered, “Ja…mie.”
“She’s alive,” Cash lied. How in hell this owlhoot was still breathing baffled him.
A faint smile lifted the corner of Silver’s mouth as he spotted Cash’s arrowhead. “You must be the outlaw marshal. Thought you were a bounty hunter. After twenty pieces of silver, eh?” He cackled. “Am … I … gonna … make it?”
They were about fifteen miles from Narrow Creek, where Cash knew a sawbones who might patch up Silver, but that was fifteen miles out of his way and he had no desire to waste the time on a no-good horse thief who would be hanged anyway.
“Wouldn’t you like to think so?” Cash’s teeth clamped down on the cheroot. He grabbed the man by the head and twisted with force, snapping Silver’s neck.
#

As Cash swished the liquid back and forth in the glass, he knocked over the whiskey bottle the waiter had set on the table.
“Disgrace,” the curly-haired cowboy said.
“Sure is,” the pointy-nosed amigo agreed.
Eyes red-veined with anger, Cash surged out of his chair, smashing his glass across Pointy’s head and throwing Curly a quick hard left that landed on the cowboy’s chin, knocking him sideways to the floor. Curly came up to brawl but was held back by Pointy, his head shaking. “Don’t do it.” Curly hunkered on his heels next to his partner with a sour, pinched look.
Cash removed his badge, sliding it into his shirt pocket. “Got some grit in ‘ya now?”
Both men looked at each other and held their heads low as Cash staggered between them.
“Fuckers,” Cash muttered, tossing a half dollar on the table. He looked to the startled waiter. “I’m paying for these yellow-bellied shits, too.”
The wide-eyed lad nodded. “Yes, sir.”
Cash snagged the whiskey bottle as he angled past his table and out the saloon’s batwings. His boots thudded with a hollow resonance as he walked down the uneven boardwalk. He stepped into the street and untied the pinto’s reins from the hitching post. Placing a shaky boot into the stirrup, he paused as he spotted a smiling couple leaving the Mercantile General. His mind jumped back to a meeting with Chief Marshal Devon Penn not long after he brought Silver’s corpse in.
“Cash, remember the Upton man wanted for horse thieving?”
“Yeah.”
“Turns out he was innocent.”
“What? He and that woman tried to cut me down.”
“That woman was his wife, and her grandfather is Arden Thompson, a big shot lawyer from Boston. He came to Wyoming to clear their names of theft. What had happened was another fellow stole Silver’s mare, stamped his brand on it. When Silver went back for it, he got accused of stealing his own horse. Certainly, drawing on you warranted the action you took. Odd that Silver didn’t take his chances in a court of law, huh?
“Yeah, odd,” Cash said.
He swung up into the saddle and watched the couple move hand in hand to the next store. Cash glared at the trifling amount of whiskey remaining and then nudged his horse across to the mercantile where he’d buy more rye. A lot more.

**END**

 Reflections in a Glass of Maryland Rye will be published in the forthcoming ebook, The Adventures of Cash Laramie and Gideon Miles, Vol. II. Watch for it at amazon.com.


August 19, 2011

The 411 on PULP INK

Okay, full disclosure: I have a story in the PULP INK anthology. Presumably this creates a conflict of interest in any attempt on my part to review it. Well, hah! I say, and hah, again! (I'd say something stronger, but I save those words for my stories and close friends. And politicians.)

Sure, this means I'm not likely to say bad things about the anthology. But it doesn't necessarily follow that the good things I'm about to say regarding PULP INK are thereby false. In fact, you can strap me to a lie detector and test my veracity: There are some exceptionally fine stories in this collection. Were that not the case, I would go to some lengths to pretend I had no part in this whole scheme, instead of parading the fact that I got a story placed in the same book as -- ahem! -- Allan Guthrie. As Reed Farrel Coleman. As Hilary Davidson. As Gary Phillips. Not to mention a host of other excellent writers whose names are not (yet) so well-known.

I'm not going to beat you over the head with details on each and every story. There are 24 of them, for crying out loud, and I can't sit here holding your hand all day long. So these are my very most ultra-favorites in this collection. Each of them alone, I promise you, is worth the $2.99 USD price of admission:

  • ZED'S DEAD, BABY by Eric Beetner. I've already said it in other places around the 'Net, and it bears repeating: This is a terrific story: fast-paced, tightly written, sharply focused. The protagonist, an enforcer type, is on the hunt for Zed, to do a little, uh, enforcing. But everyone says Zed is dead. Everyone has a reason to lie, too. But it isn't really enforcement until someone loses a finger, is it? This one will have you grinning wickedly and will make your thumbs ache. And not because you're using an e-reader with poor page-turning features.
  • YOUR MOTHER SHOULD KNOW by Allan Guthrie. Oh, the lengths little Masie will go to prove to her love for young Billy. May lightning strike her down if she's lying. Nobody does personality disorders quite like Guthrie. Scary good with that, he is.
  • YOU NEVER CAN TELL by Matthew C. Funk. Nina's baby is near to saying his first word. Nina's husband is near to killing his fourth man in this perfect tale of revenge and genetic redemption. Possibly my favorite of all of Matthew's stories, and that's saying something: This guy has a Spinetingler win under his blotter.
  • A WHOLE LOTTA ROSIE by Nigel Bird. You can have a good laugh with Rosie. You just can't laugh at her. This one has a sad, skewed feel, and is written in Bird's signature style of short, brisk strokes that imply more than they say.
  • CLOUDS IN A BUNKER by David Cranmer. A hostage stand-off in which a WWI bomb expert threatens to take out himself and the missus. What kind of killer puts the police negotiator on hold while he sees to the teakettle? For anyone who thought Cranmer's best work was the Western tales done under his Edward A. Grainger pseudonym, have another think while I just go and check that bloody teakettle.
  • THE WIFE OF GREGORY BELL by Patricia Abbott. Here's a story Rod Serling would have jumped all over for his Twilight Zone series. Every time Gregory's beautiful and beloved wife goes on a business trip, Greg indulges in a little criminal activity. And each time he does, his wife comes home with a new and bigger flaw in her looks. But that can't have anything to do with his bad behavior. Can it?
  • THE OCTOBER 17 ECONOMIC DEVELOPMENT COMMITTEE MEETING by Chris Rhatigan. A reporter writes himself into a corner. Then illustrates his stories with a shotgun. This may be the one time he doesn't really want to make headlines, but it's a little too late to do the 'write' thing now. 
  • THIS LITTLE PIGGY by Hilary Davidson. A foot massage can go too far. Especially when it doesn't go far enough.
  • THE ONLY ONE WHO COULD EVER REACH ME by Matt Lavin. Willie has the world's worst job, with the worst co-worker. And the most dangerous of employers. After all these years, why would he risk their wrath now.? A poignant take on the old story of, the old glory of love.

 And if you go so far as to read all of those, you might as well spend a couple of minutes and read my story, too. Triple-dog dare ya!

      August 16, 2011

      REVIEW: TWO-WAY SPLIT by Allan Guthrie

      Ex-concert pianist Robin Greaves has been off his meds for sometime when he discovers his wife, Carol, is cheating on him with friend Eddie. Except cheating doesn't include actual sex. Robin wants Eddie dead, but first this eccentric trio has to pull off a robbery. They get the money all right, but in the process Robin kills a woman whose son, a vengeful ex-con named Pearce, is not content to sit and grieve. So Pearce is after Robin, who has the money, is after Eddie, who is after the money. What Carol wants, who knows? But there's one more character, the wildly unpredictable Don, who may be the most dangerous of them all and who personifies the book's title. Turns out splitting the money is the least of anyone's worries. Coming out alive will be a winner-takes-all game.

      Author Allan Guthrie is a successful writer, agent, and editor. What he doesn't know about crime fiction as an art and as a business probably isn't worth knowing. Too often that kind of intimate knowledge about writing and the business of writing can make for somewhat sterile reading as a kind of "checklist for a successful story" comes into play. Not so with this canny Scotsman. TWO-WAY SPLIT has the snappy, hardboiled feel of having come straight from the old pulp publishers' boiler rooms, but with time enough for a few laughs along the way. Dark laughter.

      This is a fast-moving, blackly comic action tale, occurring over less than 48 hours, with character scene-splits occurring sometimes only moments apart. As with Guthrie's other works, this one left me wishing he were more prolific. TWO-WAY SPLIT was shortlisted for the CWA Debut Dagger award and went on to win the Theakston's Crime Novel Of The Year in 2007 (besting books by the likes of Stuart MacBride, Michael Jecks, and Christopher Brookmyre).

      Amazon Kindle: $0.99

      Amazon, Paperback



      August 15, 2011

      Pulp Ink will tattoo YOU.


      PULP INK has arrived. Twenty-four stories of highly diversified pulp from authors as well known as Reed Farrel Coleman, Allan Guthrie, and Hilary Davidson; and as unknown as, well, yours truly. I'm thrilled to have a story resting cheek by jowl with theirs. (Okay, really, my story is sandwiched between Richard Godwin's and Jimmy Callaway's, and what's that say about me, I'd like (or not) to know?)

      And because I worked hard on this story and someone damned well ought to read it, I'm giving away THREE copies (from amazon Kindle or from Smashwords). And even if you don't like my writing, you must read Eric Beetner's story, Zed's Dead, Baby. If you don't like that one, better check your own pulse to see if it's any stronger than Zed's.

      The first three people to email me at beauvallet@aol.com mentioning PULP INK will win these freebies! Good luck! 
      John Kenyon, Brian Lindenmuth, and Brad Green have each won a free copy of PULP INK. Congratulations, guys, and thanks for playing!