REVIEW: Okay, if you're looking for serial killers, gore, shoot-em-up-bang-bang action, go read a different book. If you're looking for a story with a complex web of moral and ethical dilemmas layered with gritty, tenacious police work, then open the pages and enjoy Lou Manfredo's debut novel.
The reader gets to know only two characters well, the wet-behind-the-ears McQueen and the wily Rizzo, and then we really only get to know them on the job. We see that they have private lives, but on the job is where they really live. Police work isn't what Rizzo does, it's what he is. McQueen has had a small taste of success, getting his detective badge via serendipity rather than getting it the old-fashioned way of earning it, and this has awakened his ambition to make it out of Brooklyn and into an office at One Police Plaza. Watching these two disparate men work toward a relationship of trust and understanding while coping, or trying to cope, with the constant moral and legal ambiguities of the job is really what this book is all about.
The structure of this book is an interesting one. Fully the first half of the book is episodic, as the two detectives tackle case after case: Burglary, assault, attempted rape, suicide. The reader is riding along, learning as McQueen learns: How to observe a crime scene, what crimes to expect - and when to expect them - in certain neighborhoods, that it's better to grant favors than ask them. Especially that last item. Rizzo holds markers all over the city, which is just as well because halfway through the book, when the detectives finally draw the no-win case involving the councilman's daughter, Rizzo is going to need every single favor he can swing, even from the likes of the Hell's Angels. And that still may not be enough to save his and McQueen's careers.
Manfredo plays no tricks on the reader. No time shifts, no alternating first-person POVs. The prose is straightforward, with dialogue that sounds like natural cop talk but avoids annoying and mystifying jargon. Thus it becomes very easy for the reader to slip into McQueen's or Rizzo's shoes and ask himself, 'What would I do if I were faced with these situations? What's the right thing to do?' And that's what young McQueen is always asking, both of himself and Rizzo: What's the right thing to do? And Rizzo's answer is consistent: There is no right, there is no wrong, there just is. Read this book and see if you agree with Rizzo.
Here is the author, at Otto Penzler's store in New York City, discussing the people who helped shape the novel and get it published:
Disclosure notice: A copy of this book was provided by the publisher (or his agent) at no charge to me. The publisher (or his agent) neither stipulated nor received from me any promise that the book would be the subject of an endorsement or review, either positive or negative.